History + Conflict + Dream + Failure = HOME
How long would it take to count the elements creating what we call ‘home’? And what about the time it would take to identify the ones that can destroy it?
The ‘home’ of the upcoming Mediterranea 18 Young Artists Biennale will be grounded on four elements: history, intending the archive of the unaccountable number of individual stories, recorded or forgotten. Conflict, to consider the way we share homes. Dream as the project of home, as the fundamental human right to be free to choose and desire our real or imaginary home. Failure as the inner resistance of the various attempts, transformed along the way in search for the dream home.
Mediterranea 18, Young Artists Biennale will be hosted for the first time between the cities of Tirana and Durrës, in Albania. Taking place in a country, which is defined by its forced, isolated past, and its turbo-transition from communism to capitalism in only 25 years, the Biennial will focus on a component which is currently, more than ever, put at risk in the politics of present society. In a geopolitical area where history, conflict, dream and failure are navigating the opaque waters of everyday life, home becomes an emergency to be technically reconsidered and collectively re-defined.
The sense of home becomes scattered while the speed of technology and the growing complexity of political, social and economic structures are revealing borders that for a while were made invisible. Today, more than ever, these borders need to be re-discussed. It might be that in the present time of cultural post humanism the challenge that art is facing is to restore comfort in relation to what and where is home, why and how we need it. Art can consider home as a process rather than a single statement, hosting millions of elements within which the self is not lost nor found, but in constant transformation. The search for safeness must take on risks and open up a dialogue amongst ‘homes’ – whether they are physical, virtual, spiritual or imaginary.
Mediterranea 18’s ambition is to present art that dares the past, present and future notions of ‘home’. For once, art should not be made only for criticism or provocation, but rather, it should be made with the task of recycling (instead of proposing) new alternatives. In this way, it will find its own home in the errors of the process, in the waiting time of reparation, in the insecurity of the test.